SOURCES OF THE ILLUSTRATIONS

Circles in a Circle - Wassily Kandinsky
(1923)

Nava Dannenhauer

La Noche Estrellada
(1889)

Vincent Van Gogh

The Concert
(1957)

Marc Chagall
Private Collection

Technical sketch of a robot
(1495)

Leonardo da Vinci

The Lungernsee by Moonlight, Switzerland
(1848)

Joseph Mallord William Turner
Private Collection

Medea de Eurípides
(2009)

Massimiliano y Doriana Fuksas

Narcissuss
(1600)

Michelangelo Merisi da Caravaggio

La Fragilidad del Tiempo
(2024)

Emilia Duarte

Private Collection

Dynamic Hieroglyphic of the Bal Tabarin
(1912)

Gino Severini

Barrio
(1953)

Xul Solar

Weeping Woman with Handkerchief - Pablo Picasso
(2012)

Gray Chadwick, Laura Spector

3 de mayo
(2008)

José Manuel Ballester Peña

Safo rezando a Afrodita
(2012)

Gray Chadwick, Laura Spector

The Illustrated Man
(1969)

Jean Mascii

Theatrical release poster

Cabeza Simbólica
(1845)

Henri Bushea

Boceto de Robot
(1472)

Leonardo da Vinci

Mountains in Collioure
(1905)

André Derain

Portrait of Edmond de Belamy
(2018)

GAN AI Software

Private Collection

Les deux mystères
(1966)

René Magritte

Private Collection

Battle of Lights, Coney Island, Mardi Gras
(1913)

Joseph Stella

Bewusstsein 17

Robert Fludd
Utriusque cosmi maioris scilicet et minoris […] historia , tomus II (1619), tractatus I, sectio I, liber X, De triplici animae in corpore visione

Ciudá y abismos
(1946)

Xul Solar

Carta Marina
(1539)

Olaus Magnus

Ojo de Hal
(1968)

Stanley Kubrick y Anthony Masters

2001 A Space Odyssey

La Trahison des images (Serie)
(1929)

René Magritte

2001 Sun Earth Moon
(1968)

Stanley Kubrick, Geoffrey Unsworth y John Alcott

2001 A Space Odyssey

Tempi d'Acciaio. Dal potenziale al crossover
(2023)

Fabrizio Spadini

This website does not aim to settle the ongoing discussion—or rather, the intense debate—about whether images, music, literature, and other content generated digitally by AIs are original works of art or merely remixed products.

In fact, I personally make extensive use of illustrations created by AI agents in presentations for classes, seminars, and other occasions, where they serve as pedagogical tools or as examples of what can be produced with these assistants.

However, when it comes to conceiving a website that seeks to synthesize a certain intellectual and vital journey, the aesthetic experience is not an accidental addition. Faithfulness to that path invites, at the very least, the inclusion of a small gallery representative of long and joyful days of contemplation—and of exposing oneself to be contemplated, to be seen—and revealed—through art.